This measured horror creates a tense atmosphere but fails to elicit anything other than a vague sense of unease.
Saturated with big budget action sequences and one-liners, The Avengers: Age of Ultron, is as entertaining as it’s predecessor.
Taut with it’s perspective on faith and relationships in a cynical world, Calvary is both darkly funny and effecting.
Convincing with it’s light amateur documentary style, The Taking of Deborah Logan, creeps into horror with razor-sharp tension and intelligent timing.
Touted as the first Iranian Vampire Western, A Girl Who Walks Home at Night, seduces with an atmospheric cinematography and a fresh, albeit vague, perspective on vampire lore.