Parts creepy and philosophical, this French anthology into the darker realms of the imagination is aesthetically pleasing and absorbing.
Sentimental but uneven, the unpacking of its inherent mystery creates a semblance of tension that’s unfortunately foiled by it’s lack of originality.
All together disappointing, Life After Beth is deadpan enough for a few laughs, but fails to raise a pulse.
Claustrophobic and wry, LFO, explores the delusions of a disturbed sound engineer to examine contemporary philosophy and morality.
At points touching and absurd, Mr Nobody, feels its way through genre and coherence revealing a peculiar story of time travel and memory.
Taut with it’s perspective on faith and relationships in a cynical world, Calvary is both darkly funny and effecting.