Gorgeous cinematography and a thrilling tension carries this succinct and concise haunted house film.
Parts creepy and philosophical, this French anthology into the darker realms of the imagination is aesthetically pleasing and absorbing.
Sentimental but uneven, the unpacking of its inherent mystery creates a semblance of tension that’s unfortunately foiled by it’s lack of originality.
All together disappointing, Life After Beth is deadpan enough for a few laughs, but fails to raise a pulse.
Claustrophobic and wry, LFO, explores the delusions of a disturbed sound engineer to examine contemporary philosophy and morality.
At points touching and absurd, Mr Nobody, feels its way through genre and coherence revealing a peculiar story of time travel and memory.
This measured horror creates a tense atmosphere but fails to elicit anything other than a vague sense of unease.
Saturated with big budget action sequences and one-liners, The Avengers: Age of Ultron, is as entertaining as it’s predecessor.
Taut with it’s perspective on faith and relationships in a cynical world, Calvary is both darkly funny and effecting.
Convincing with it’s light amateur documentary style, The Taking of Deborah Logan, creeps into horror with razor-sharp tension and intelligent timing.